This translation and presentation of Émile Vuillermoz’s review of Alain Jef’s 1929 Festival of Short Films provides scholars with an overlooked document relating to the history of the short film (court-métrage) in France. Vuillermoz argues for the virtues of concision as a matter of taste, but also raises questions regarding the aesthetics of material and temporal economy. This text invites consideration on the differences and links between inter-war film practice and culture and the post-war institutionalization of the short film, as (...) well as the importance of concision and compression (as a matter of the storage and communication of information and as an aesthetic value) historically and in the contemporary media context of YouTube, Dailymotion, Vine and other online video aggregators. (shrink)

Drawing together eighteen contributions from leading international scholars, this book conceptualizes the history and theory of cinema's century-long relationship to modes of exploration in its many forms, from colonialist expeditions to decolonial radical cinemas to the perceptual voyage of the senses made possible by the cinematic apparatus. This is the first anthology dedicated to thinking cinema's relationship to exploration from a global, decolonial, and ecological perspective. Featuring leading scholars working with pathbreaking interdisciplinary methodologies (drawing upon insights from science and technology (...) studies, postcolonial theory, indigenous ways of knowing, and film theory and history), it theorizes cinema's implication in imperial conquest but also its cutting edge role in empirical expansion and experiments in sensual and critical perception. The collected essays consider filmmaking in cross-cultural contexts, consider films made in or about peoples in South America, Asia, Africa, indigenous North America, as well as polar, outer space, and underwater exploration, with famous figures such as Jacques Yves Cousteau are considered alongside amateur and scientific filmmakers. The essays in this collection are ideal for a broad range of scholars, graduate students, and advanced undergraduate students in Cinema and Media Studies, Cultural Studies, and cognate fields. (shrink)